The Real Painter of the Gospel

The Real Painter of the Gospel:

“The DaVinci Code” in the Light of History

Dr. Jim Denison

Shortly after its publication, I picked up Dan Brown’s The DaVinci Code on the new fiction table at a local bookstore. Its cover and title led me to believe it would be a work of art history. Given my interest in the general subject, and in Leonardo in particular, I began thumbing through the volume. It was quickly obvious that the writer intended something far different.

I read the book that night, and knew immediately that it would be controversial. I write a daily on-line devotional, and dedicated a series to the novel. Response far exceeded my expectations. Even then, I did not know the book would remain so popular.

Mr. Brown’s Angels and Demons enjoyed a predictable resurgence in interest as well, climbing to #1 on the paperback fiction bestseller list. The author’s earlier Digital Fortress, a novel with no spiritual overtones whatever, gained popularity as well. The DaVinci Code was then made into a movie by Ron Howard, starring Tom Hanks.